For more information, see also the Publications section on this website.

Bibliography

The bibtex and ris files of Claudia Westermann's academic publications, including abstracts and links to open versions of many publications, are available for download from the LITRA server: 

Claudia Westermann bibliographic data December 2023

The bibliography files can be imported into reference managers, such as JabRef, Mendeley, Zotero and Endnote.

Virtual reality and electroencephalography in architectural design: A systematic review of empirical studies

by Fatemeh Taherysayah, Christina Malathouni, Hai-Ning Liang, Claudia Westermann

Until March 26, 2024 – 50 days free access via this link: https://authors.elsevier.com/c/1iYEh8MyS9AJi5

Integrating human needs and desires into the design process has long been a crucial aim of design research. Despite advancements, architectural design still often overlooks the diverse dimensions of human experiences. In this context, the recent development of affordable and mobile brain-imaging devices using electroencephalography (EEG) presents an opportunity for a new approach to human-centered architectural design, especially in combination with virtual reality (VR). Despite existing EEG/VR studies in architecture, a comprehensive review of the methods used to translate EEG data into architectural design is lacking. To address this gap, this article presents a systematic review of empirical studies that use EEG in VR and investigate the impact of designed environments on users. Searches in the databases of Scopus, Web of Science and Science Direct resulted in nineteen articles utilizing both EEG and VR and focusing on an architectural perspective. The data analysis was performed qualitatively and is presented in summary-of-findings tables. The results indicate that in all reviewed studies, the framing environments affect specific brain regions and support different physiological, psychological, and cognitive functions. However, reliable conclusions about the impact spectrum of specific environmental features and associated event-related dynamics require further studies. Several gaps and challenges were identified. These include the need to develop comprehensive strategies for synthesizing data from a variety of sources, considering the distinct effects of familiar and new environments, and addressing limitations posed by sample sizes and demographic diversity. Additionally, long-term studies and investigations of the environmental impact on groups remain areas for future research.

Situating Krippendorff's Critical Cybernetics

by Claudia Westermann

Constructivist Foundations 19 (1): 109-111, 2023. (open access)

This Open Peer Commentary on “A Critical Cybernetics” by Klaus Krippendorff outlines that enacting alternative not-yet existing realities goes beyond discourse and can be considered design practice. A Critical Cybernetics for enacting alternative not-yet existing realities, such as Krippendorff proposed, would benefit from associating itself with the expertise in the technicity of society that has been central to cybernetics since its inception.

Editorial: Turning queries into questions: For a plurality of perspectives in the age of AI and other frameworks with limited (mind)sets

by Claudia Westermann and Tanu Gupta

Technoetic Arts, Volume 21, Issue 1, Aug 2023, pp. 3–13 (open access)

The editorial introduces issue 21.1 of Technoetic Arts via a critical reflection on the artificial intelligence hype (AI hype) that emerged in 2022. Tracing the history of the critique of Large Language Models, the editorial underscores that the recent calls for slowing down the development of AI, as promoted by the technology industry, do not signify a shift towards reason and considerate economics. Instead, as these calls are firmly embedded in narratives where the power to decide for the majority of humanity lies solely with the CEOs of AI companies, they are indicative of a relentless pursuit of economic interests. The technology industry has consistently downplayed criticism over the years. While patterns of creative output can be replicated without a thorough understanding of underlying concepts, the editorial highlights the distinction between the current AI technology's reliance on extensive pre-existing human-generated data for pattern recognition and the performative process inherent in art practice. This performative process, as explored through the conceptual frameworks of creativity by Noam Chomsky, Charles Sanders Peirce, and Roger T. Ames and with reference to an earlier publication of the editorial's author, continually 'strives to extend itself towards the unknown.' Following this introductory section, the editorial provides an overview of the ten articles featured in this issue of Technoetic Arts. The first four texts engage with emerging technologies from various perspectives in art and design. The subsequent six articles, part of a special section titled 'Perspectives from Chandigarh,' reflect a quest for meaningful existence within colonial, patriarchal, and biopolitical structures that frame everyday practices of exclusion and oppression.

ON GLOBES, THE EARTH AND THE CYBERNETICS OF GRACE

Technoetic Arts: A Journal of Speculative Research, 19(1/2) Global Conversation special issue, pp. 29–47. Published in 2022, volume year 2021. https://doi.org/10.1386/tear_00049_1. 

You may use the following link to access the article via the EBSCO subscription of your academic library. Choose the Institutional Login below the blue Sign In button. If you do not have access to an academic library, you may obtain a copy of the preprint via the PhilPapers platform or contact the author for a personal copy of the article.

The article presents an enquiry into conceptions of ‘global’ that began at the American Society for Cybernetics 2020 Global Conversation conference. Following the traces of Margaret Mead’s statement that emphasized that the first photographic images of the Earth from space presented notions of fragility, the article contextualizes the recent critique of the dominant representation of the Earth as a globe that emerged in conjunction with the discourse on the Anthropocene. It analyses the globe as an image and the sentiments that accompanied it since the first photographs of our planet from space were published in 1968. The article outlines how the cultural meaning of the whole Earth representation changed in parallel with the appropriation of the image by the large technological enterprises that emerged from America’s counterculture. It returns to the possibility of a coexistence of ‘views from within’ and ‘views from without’ following a detour with Gregory Bateson via Bali and proposes a Cybernetics of Grace as a practice of resistance against pure exteriority. The article concludes by linking the Cybernetics of Grace with the second-order conversations of Gordon Pask.

The text "Chinese Landscape Aesthetics: the exchange and nurturing of emotions" by Claudia Westermann of LITRA is available online via google books. The PDF of Claudia Westermann's 'The art of conversation: design cybernetics and its ethics' published in Kybernetes is available via researchgate. The article 'Poiesis, ecology and embodied cognition' published in Technoetic Arts a Journal of Speculative Research 18(1) in July 2021 might be available to you via your library's EBSCOhost subscription.

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